Fellow flies, friends and followers of The Plan, we would like to announce we have launched the Krillbite Discord!



Join our Discord!
https://discord.gg/P4ntmxpGjt

Share your pondering, airborn and buzzing thoughts on The Plan. Discuss and discover our other games; Among the Sleep, Sunlight, Mosaic, share your cute dog pics, fly fan art and more!

Play Fruitbus Demo
s.team/a/2484130

We recently announced Fruitbus, our new culinary adventure set in an adorable open world. Play the free demo from 17th August until 4th September.

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[h3]Introduction[/h3]
Audio is an integral part of all our games, and music specifically has been a central focal point. From working with talented musicians to compose original scores for the street musicians in Mosaic, to using a lullaby the whole team grew up with in Among the Sleep. In our two smaller games, The Plan and Sunlight however, we decided to use powerful classical works to carry the narrative and emotion of the games, and we thought it would be fun to elaborate a bit on this process.

Contains spoilers for The Plan and Sunlight.

[h3]Decisions[/h3]
On all our projects, the starting point for the music was the emotional and narrative goal of the project as a whole. It might seem obvious, but really picking apart what the game is, was key to understanding what we want to achieve with the music.

In The Plan, we chose Death of Aase by Edvard Grieg (give it a listen!) because of its grandiose feeling of ascending ever upwards, going somewhere. To us it also manages to combine a sense of personal and delicate tragedy, with the enormity of life and death, which will make sense to anyone who has played the game.

For Sunlight, we chose Tchaikovsky's Cherubim Hymn. Firstly, we knew we had to work with a choir, as it captures the core theme of being one with each other and our surroundings quite literally. This piece also has a divine existential element to it, which hit all narrative nails on the head. And just listen to it it really does sound like sunlight. We were lucky to work with Kammerkoret Aurum and Ambolt Audio, and the session can be seen/heard here:
https://www.youtube.com/watch?v=LvS_jaIogV8
[h3]Production and Implementation [/h3]
While working on The Plan we were fortunate to get a local orchestra, Oslo Cameratas, permission to use their rendition of Death of Aase. This was most likely possible because the project had little to no budget, and we were releasing it for free.

For the first section of the game we used manipulation techniques, separating chords from the song into long ambient drones. This creates a serene and subtle musical backdrop, while at the same time allowed us to establish the song before it would play.

We then split the piece into parts, selecting the first two major parts we wanted to use. The first part plays as you approach the canopy of the forest. The second, and more climatic section, starts once the forest disappears, and you enter the universe. The hope was that players might not notice the transition, so it is somewhat timed to your move speed, if you are in continuous motion.

In the games end, it was crucial to time the musical climax perfectly to the fly impacting the lamp which was tricky since the player naturally controls the fly. To achieve this we actually move the lamp in addition to the fly for the final minute of the game so if you continuously fly up we push the lamp away, and if you stay still the lamp is actually approaching you. Because of the framing this turned out to be completely invisible to players.



Now on to Sunlight! Here we also split the piece into parts, although a lot more. We ended up looping sections of the music based on how far in the game narrative the player is to tailor the general structure of the piece to the dramaturgy of the experience. Below is a visualisation of how the parts were isolated, which made it easy to talk about and implement the correct sections where we wanted.



Playing through the game, you can for example hear how the red Intense section is only used once, timed to a specific section of the manuscript. The yellow Intro section on the other hand, is repeated a number of times throughout the game, and based on how much time you spend in various parts.

We recorded the choir with Ambolt Audio, who engineered the session. We had a lot of ideas on how we wanted to experiment and make the music more interactive, so we captured the choir from as many angles as possible, some singers up close, the room itself etc.

Amongst others, when you approach the end of the game, the wasteland, the music slowly fades, but left behind are 3-4 lonely voices standing alone, against the absence of the rich forest you used to wander in. The unified choir returns to the individual. As they also slowly fade, the song leaves you not with a crescendo, but with a whimper. We did this by placing spot-mics on specific singers, that would capture their voices in isolation away from the rest of the choir.

We also recorded versions with 1/3rd of the choir singing, for a sparser sound, as well as only 1 person per voice, and while we did not end up using these recordings, it informed later decisions.



Since we worked with the choir directly, we were also able to experiment beyond recording music, so if you listen closely to the sounds of creaking wood and wind, you can hear its also the choir. As a finishing touch, we also decided to record the choir entering and leaving the room, which we play as the game starts, and as it ends.

[h3]Ending thoughts[/h3]
Working with older classical works has its pros and cons. In general you do not need to get the rights to the music itself, as past a certain age, all music is free to the public. You do however need permission to use the performance/recording of it.

A potential caveat is how some pieces come with a lot of baggage. We did not want the music to be a distraction, which is another reason why we were happy with the specific pieces we chose. They are not Beethoven's Symphony No. 5, or Bach's Toccata & Fugue, so to speak.

But from The Plan, which was the very first game we released, to Sunlight, which is our latest, we feel its obvious how the music greatly lifted the experience, while enhancing the themes and narratives we wanted to explore. To use works of art that never was intended for this new form of media, like translating a linear piece of music into a non-linear experience, is also a rewarding process.

There is so much gold in our musical history, and it seems to be a piece for every specific emotion, however nuanced and unique it may be. They are right there, just waiting to be discovered, harnessed, repurposed and enjoyed anew.

If youve made it this far, Im guessing youve played the game or dont mind spoiling a 6 minute long game from 8 years ago which is fair.

When we all those years ago decided to implement a starry sky, where players can contribute a message to future players, we didnt really know what to expect. We also assumed the game might be played by a few hundred people, if we were lucky.

But we just checked the database, and theres currently no less than 782.676 (!) messages in there. Here's a little sample:



We spent some time reading, feeling like digital archeologists. Who are all these people, and what are their lives like? And even now, as new messages pop in daily, it keeps filling us with joy and a regained purpose in making these types of games. In our most recent game Sunlight, we even decided to do a very similar thing, which turned out to be just as rewarding.

To end, thanks to everyone who has played and contributed to the experience! And I hope our paths will cross again one day, as something more than an ID-number in a database.

Much love,
The Krillbite team

Sunlight, a sort of spiritual successor to The Plan, is finally out in the world. It has been a strange project to work on, especially since its been developed in isolation during a very strange time. Its always scary to share work, but when people seem to like it its also super rewarding!

Everything is connected, and Sunlight is no different. For every copy of the game that is downloaded, a tree will be planted.

Visit the Sunlight steam page

Hope you like it!
The Krillbite team

Weve made a new game that shares quite a bit of DNA with The Plan. A spiritual successor if you like. Its called Sunlight, and will be launched on Jan. 14th, check out the trailer below, and wishlist if youre interested :)

[previewyoutube=Q7A31NEzezg;leftthumb][/previewyoutube]

[h2][/h2]
All the best,
The Krillbite Team

When we released Among the Sleep and The Plan five years ago, we didn't really know what our next game would be, we only knew that we wanted to make something completely different from Among the Sleep.

That game turned out to be Mosaic.

It's a very different game from Among the Sleep. In Mosaic you play a disillusioned office worker living in a dystopian and dark version of our modern society. You are a tiny part of a complex and ungraspable huge machinery. You have no direction in life, no influence and feel alienated and alone. Whereas we tackled horror from the perspective of a child in Among the Sleep, Mosaic is more about horror seen through the eye of an adult tackling our modern lifestyle.

The development of Mosaic has been a long and complicated process for us. We signed on with publisher Raw Fury last help to get assistance and help to wrap this game up. And now it's finally done. It's out and released. Available on Apple Arcade, Steam and GOG.

If you liked Among the Sleep and/or The Plan, we hope you will check it out. We feel that we have put a lot of ourselves and our identity into the game. It's a very personal story about humanity, society and life. And we are so happy to be able to share it with you.

https://store.steampowered.com/app/349270/Mosaic/

Hey good people!On this day two years ago, we released our little experimentThe Plan. Weve been through some exiting times since then, and felt like providing a little retrospective.

Some facts:

• Over 600.000 people have played the game!


• Over 50,000 have downloaded the game through torrents, even though the game is available for free through both Steam and our own website as a direct download.


• 1,293 number of posts in just one of the discussions on steam.


• Almost 8.000 reviews on Steam, lingering at a 9/10 score :D


• Houndreds of thousands of views on lets plays on Youtube.


• 1 unlockable character to be found in the game *wink*


• 1 hidden soundtrack to be found in the game *wink*

• A hidden sound with a hidden message


• Additional error checks when using the Steam API to prevent crashing

Hey good people! On this day two years ago, we released our little experiment The Plan. We’ve been through some exiting times since then, and felt like providing a little retrospective.

Some facts:

• Over 600.000 people have played the game!


• Over 50,000 have downloaded the game through torrents, even though the game is available for free through both Steam and our own website as a direct download.


• 1,293 number of posts in just one of the discussions on steam.


• Almost 8.000 reviews on Steam, lingering at a 9/10 score :D


• Houndreds of thousands of views on lets plays on Youtube.


• 1 unlockable character to be found in the game *wink*


• 1 hidden soundtrack to be found in the game *wink*

• A hidden sound with a hidden message


• Additional error checks when using the Steam API to prevent crashing