Howdy folks, the retro visuals of the UBERMOSH series allowed the use of super heavy audio assets without crippling performance. From bullet cutting sounds to tribal drums, egg shakers and B tuned guitars, every SFX works as extra percussion elements and the 254 bpm combat tracks push players to action. WRAITH has the most "complex to achieve" audio balance in the series and the version 1.1 shows my serious effort tweaking volumes, sound priorities and effect timing to sync, mix and tune every shoot, slash and splash you make... in the pits... of UBERMOSH!

Thanks a lot for all the support, reviews, recommendations and kind words.

It's awesome to make games for you. Player's feedback has been fueling my developing process in a deep, inspiring and rewarding way since the first volume.